This publication takes the form of an illustrated reader containing new scholarship, original translations of historical texts, relevant case law, and commissioned artworks. Topics discussed in the book examine the history and present state of biometric, aerial, and behavioral surveillance, and how artists have used their work to expose and disrupt these systems. The reader will consist of contributions by authors including journalist Adrian Chen, scholar Joshua Ellenbogen, and curator Corey Keller. The publication will also feature extensive illustrations of work by artists such as Alphonse Bertillon, Harun Farocki, Eadward Muybridge, and Martha Rosler, alongside new commissions from Zach Blas, Mimi Onuoha, and Martine Syms.
ISBN: 978 0 88039 066 8; pages: 360; Publisher: Carnegie Museum of Art; Designer: Studio LHOOQ; Editor: David B. Olsen; Authors: Dan Leers and Taylor Fisch
An-My Lê: On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh. Drawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets.
This publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. Essays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize–winning author Viet Thanh Nguyen, address the ways in which Lê’s quiet, nuanced work complicates the landscapes of conflict that have long informed American identity.
An-My Lê’s (born in Saigon, South Vietnam, 1960) work has been exhibited at such venues as the Museum of Modern Art, New York; Museum of Contemporary Photography, Chicago; and San Francisco Museum of Modern Art. Lê has received many awards, including fellowships from the New York Foundation for the Arts, John Simon Guggenheim Memorial Foundation, and MacArthur Foundation. She is a professor in the Department of Photography at Bard College.
Dan Leers is a curator of photography at the Carnegie Museum of Art, Pittsburgh, and organized the traveling exhibition An-My Lê: On Contested Terrain.
David Finkel is a journalist and author whose honors include a MacArthur Fellowship and a Pulitzer Prize.
Lisa Sutcliffe is the Herzfeld Curator of Photography and Media Arts at the Milwaukee Art Museum.
Viet Thanh Nguyen is author of The Sympathizer (2015), which received the Pulitzer Prize for Fiction, among other awards.
Softcover; 204 pages; 128 four-color and black-and-white images. ISBN 978-1-59711-481-3