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American Drawings and Watercolors in the
Museum of Art, Carnegie Institute,
by Henry Adams, et al., 1985. History of Carnegie Museum of
Art's collection of American drawings and watercolors, essays
on 80 artists, and collection checklist of 491 works from the
late eighteenth to late twentieth centuries. 314 pp., color
and b&w illlus., paper.
American Landscape Video: The Electronic
Grove, by William Judson, et al., 1988. Catalogue of the
Carnegie Museum of Art's 1988 exhibition of seven video installations
by artists Dara Birnbaum, Frank Gillette, Doug Hall, Mary
Lucier, Rita Myers, Steina Vasulka, and Bill Viola. 128 pp.,
color and b&w illus., paper.
American Paintings and Sculpture to
1945 in the Carnegie Museum of Art, by Diana Strazdes,
et al., 1992. Catalogue of the Carnegie Museum of Art's collection
of some 400 American paintings and sculpture dating from the
eighteenth to mid-twentieth century, with an essay on each
work, biography of each artist, and complete reference material.
Includes a history of the institution and its collections.
552 pp., 38 color and 470 b/w illus., cloth.
Art Ventures: A Guide for Families
to Impressionism and Post-Impressionism, by Bay Hallowell,
illustrations by Edward Koren, 1989. Ten paintings and sculptures
by such artists as Degas, Monet, and van Gogh are presented
for children, with related activities and recommended further
reading. 24 pp., color & b&w illus, paper.
The Beal Collection of American Art,
essay by Henry Adams, 1994. Details the formation of Mr. and
Mrs. James H. Beal's collection of American art, with a primary
focus on modernist drawings and watercolors, much of which
came to the museum as gifts and through a major bequest in
1993. 112 pp, color and b&w illus., paper.
The Carnegie Museum of Art Collection
Highlights, 1995. Presents over 140 objects from the Museum's
permanent collection, including paintings, sculpture, drawings,
watercolors, prints, photography, ceramics, silver, furniture,
film and video, and architectural subjects, dating from the
fourteenth century to the present. 223 pp., color illus.,
paper.
Charles H. Carpenter, Jr.: The Odyssey
of a Collector, by Charles H. Carpenter, Jr.; essay by
Kay Larson, 1996. Charles Carpenter's personal account of
his fifty years of assembling collections of contemporary
art, nineteenth-century silver, furniture, and other decorative
art objects. 159 pp., color illus., paper.
A Hidden Treasure: Japanese Prints
from the Carnegie Museum of Art, by Sandy Kita, et al.,
1996. Seventy of the Museum's Japanese woodblock prints from
the eighteenth- through twentieth-centuries, illustrated full-page
in color with accompanying texts, present ukiyo-e as a tradition
of art that reported on its artists' present reality. 167
pp., color and b&w illus., paper.
International Encounters: The Carnegie
International and Contemporary Art, 1896–1996, by Vicky
A. Clark, et al., 1996. Includes essays on the exhibitions'
establishment, the directors and curators who organized them,
and the contributions they made to art and culture in the
United States. Contains appendices listing exhibition facts
and works now owned or previously owned by the Carnegie Museum
of Art. 176 pp., b/white illus., paper.
Pittsburgh Revealed: Photographs Since
1850, by Charlee Brodsky, et al., 1997. Presents 113 photographs
of Pittsburgh, from early processes as daguerreotypes, tintypes,
and stereographs, to the work of contemporary photographers.
Includes an essay by poet Jan Beatty; the curators' overview
of their search for Pittsburgh photographs; a brief history
of photography in the city; and an essay on contemporary Pittsburgh-area
photography. Contains biographies of over sixty photographers,
a chronology, and bibliography. 210 pp., color and duotone
illus., paper.
Please direct inquires to Jerry Farber,
Book & Media Buyer, Carnegie
Museum of Art Store, 412.622.3230
Click
here for Rights and Reproductions Information
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