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November 7, 1998–March 28,
1999
Heinz Architectural Center
Art Deco was an exuberant, colorful, eclectic
style of the 1920s and 1930s that was applied to everything from tea
services to skyscrapers, from fashion design to movie sets. Brought
to wide public attention at the World's Fair in Paris in 1925, Art
Deco rapidly became popular in the United States, from the angular,
geometrical style of the 1920s through the aerodynamic style of the
1930s. Newly commissioned photograph of Art Deco buildings in Pittsburgh
are featured.
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January 16–April 11, 1999
Over the past several years, the Museum's
collection of works on paper-prints, drawings, and photographs-has
been enriched through an active acquisition program, as well as by
generous gifts. This exhibition features the most significant additions
to the Museum's collections of old master prints, modern European
and American drawings and prints, architectural drawings, and contemporary
art.
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February 20–May 19, 1999
Forum Gallery
Forum: Robert Grosvenor, Andreas Gursky, John Wesley
is an exhibition of sculpture, photographs and paintings organized
by Contemporary Art Curatorial Assistant, Alyson Baker. There is,
among the varied mediums in this exhibition, a shared a vocabulary,
an aesthetic born of the space-both physical and psychic-located
in the expanse between the urban and the rural. This is a place
in the modern landscape that is defined by human occupation and
inscribed with divisions and boundaries wrought by post-industrial
production and commerce; for these artists, it is a compelling source
of visual raw material and psychological and social metaphor.
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March 27–June 27, 1999
Treasure Room
This exhibition focuses on the human figure
in over forty eighteenth- to twentieth-century Wedgwood basalt and
jasper ceramic wares on loan from the finest private collections in
New England. Found on such ornamental objects as cameos, vases, and
plaques, the human figure may appear as part of the object's outward
form, as a handle, for instance, or as applied decoration. Portrait
medallions and busts were other ways of presenting the human figure.
Historical and mythological figures and well-known personalities of
the day are depicted on many of these objects.
The Figure in Wedgwood was organized in honor of
the 44th Wedgwood International Seminar, which will be held April
14-18, 1999, at the Carnegie Museum of Art.
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April 10–Oct 3, 1999
Heinz Architectural Center
The exhibition explores one of the
most remarkable architect/client relationships in the history of American
architecture. This relationship, based on a belief in the power of
design to transform the lives of those it touched, was shared by Pittsburgh
department store owner and civic leader Edgar J. Kaufmann, Sr., and
Frank Lloyd Wright. Together, they produced Fallingwater, one of the
icons of twentieth-century architecture. Kaufmann and his son, Edgar
Kaufmann, Jr. subsequently commissioned more than a dozen other projects
from Wright, including several of his most visionary designs. All
these projects will be presented in the exhibition using original
drawings, many being shown for the first time.
Merchant Prince and Master Builder: Edgar J. Kaufmann
and Frank Lloyd Wright was organized by the Carnegie Museum
of Art's Heinz Architectural Center in cooperation with The Frank
Lloyd Wright Foundation, Scottsdale, Arizona. Support for the exhibition
has been provided by the Henry Luce Foundation. Additional support
has been provided by Kaufmann's, A Division of the May Department
Stores Company, and The Alexander C. and Tillie S. Speyer Foundation.
The programs of the Heinz Architectural Center are made possible
by the generous support of the Drue Heinz Trust.
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April 17–August 15, 1999
Scaife Galleries
While famous artists such as Degas and van Gogh made
drawings and prints, this exhibition brings together works on paper
from the museum's collection by European artists who, though less
well known today, were popular and successful in their own time.
New printmaking techniques such as cliche-verre, a hybrid form of
printmaking and photography, and early examples of lithography by
artists such as Richard Parkes Bonington and Achille Devria are
featured.
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